See all the photos mentioned here at the bottom of the page.

Irish Beaches 

When I lived in London what I missed most about Ireland was the easy access to the coast, in Ireland , you were never that far from the sea.
I also loved the beach as a neutral space for photography. Photographing at the beach is slow and relaxing.
I did a big project on Irish beaches and no matter what part of the coastline I went to something revealed itself to me .
I won a silver award at the AOP (Photographers awards)  in London for it . The award was presented to me by Melvyn Bragg.
I was obsessed with achievement, ambition as a photographer was almost a necessary competitive skill. Now I’m more careful to find time to relax, see work as just one part of my life and not the reason for it.

 Johnny Mullan

Johnny was our neighbour, he died a few years ago. He lived with his mother until she died at around 90 and he never married.
His dog was his companion. He lived simply. He never drank, he didn’t smoke. He wasn’t particularly religious or into sports.
He loved to fish and walk with his dog in through the fields . 
He loved company and telling stories and loved a good laugh. If only we could enjoy life like Johnny and if we could spread this sense of happiness to others, then our lives would surely be more contented? 

 Man on Beach

This photography was part of a series about Irish Identity for TG4 and it started a long interest in photographs with only one person in them.
Why? Because a human a person or face transforms the landscape into something that opens up a dialogue around the relationship between us and our environment.
It asks us to consider our oneness, aloneness, our vulnerability. I find that mystery connects me to the most mysterious person in my life, my father. 

Cara 

This Photograph of Cara my niece, was the visual style breakthrough I needed for my Project The Shrinking Horizons Of Childhood.
Most of the series features kids indoors on their phones or at computers or watching TV. 

The children were photographed indoors in their glass boxes, like exotic birds . I was trying to find a way of making the connection with Nature at the same time as creating the feeling of how these kids are cut off from it.
The project was exhibited in London and became a small book. 

 Luke

 After the Shrinking Horizons Of Childhood Project I wanted to explore how life was for rural Teenagers and I interviewed them about their lives.
The logo or theme became the quality of light that you often get in Ireland. This overcast grey but beautiful and soft quality of light.
You wouldn’t get these qualities of light in California for example. Shot on 120 film Kodak 160NC.

 BellX 1 

I shot the Music in Mouth Album Photography for BellX1 and Universal music.  Something about the connection with my personal photos and these art directed shots made a connection for me to the kind of still Life I enjoyed shooting.
We used Irving Penn, the great American photographer as our reference, however we added a style of lighting Penn didn’t use- the ring flash. We shot them on a large format film camera , a very enjoyable studio job.

 Hazel by the Pond

 This is one of my favourite photographs. It perfectly captures my style of poetic observation.
I like to feel I’ve attuned my observation skills but I try to aim for something else in the image, almost something spiritual, that sets it apart from the clinical observation.
An Art Director said it reminded him of Tarkovsky and that’s a nice compliment.
The great thing is today anybody can use this style of observation to pay attention using their phones to capture their lives.

 Food BBQ 

I started out working in studios in London when people would create these big photography sets, Greek tavernas or Italian trattoria in warehouses in east London.
Food is one of the easiest subjects to make a bad photo of. Would you want to eat the food that people take with their phones of food?
This  BBQ Photograph illustrates the best of what we’re doing with Food Photography at the moment, our store of backgrounds and props, and making something as everyday as meat look good. I’ve developed a lighting style that is just for this type of work. 

 Hazel Bath

 I’m interested in everything so everything is a suitable subject for me to photograph. 
I sometimes would spend up to 600 euros a month on film and developing and making contact prints shooting my own projects and that was before digital photography. I was always trying out new stuff, in this case I taped a ring flash to the front of my Mamiya RZ film camera and shot this shot of Hazel mid bath, with water in her eyes,  she’s never forgiven me. 

 Shoe

 This was a picture I did that got me an Advertising campaign for the GAA all stars , being able to create these kind of photos is all about lighting. I wanted to replicate the kind of lighting you’d get in a small barn or shed. If you want to learn to light, put yourself into different situations and observe the light there. Then try to re create that in the studio. Lighting has to be the most enjoyable skill in photography. These days I often see things that are badly lit or have no sense of lighting direction or fail to use of the language of light.